{"created":"2023-06-19T08:58:24.351765+00:00","id":875,"links":{},"metadata":{"_buckets":{"deposit":"87cff3b0-63a8-4e11-8925-a71cbcb18149"},"_deposit":{"created_by":3,"id":"875","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"875"},"status":"published"},"_oai":{"id":"oai:kiu.repo.nii.ac.jp:00000875","sets":[]},"author_link":["2068","2069"],"item_10002_biblio_info_158":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"11","bibliographicPageEnd":"64","bibliographicPageStart":"35","bibliographic_titles":[{"bibliographic_title":"九州国際大学国際・経済論集"},{"bibliographic_title":"KIU Journal of Economics and International Studies","bibliographic_titleLang":"en"}]}]},"item_10002_description_156":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　本論文では、藤子・Ｆ・不二雄の短編「劇画・オバＱ」を扱いつつ、彼がこの作品において描こうとした「劇画」的なものとは何であるかという問題についての考察が行われる。そして、「劇画・オバＱ」は、子どもの頃の正太の生きていた世界と成人した正太の生きる世界というこのふたつの異なる世界線がある時点で交差し、しかしやがて離れていくという、そのような短編であることと、「劇画・オバＱ」における「劇画」は、正太の生きる現実の世界であり、Ｑ太郎の登場は、正太の生きる世界線を反証的に浮かび上がらせていることを示す。その上で、誰かによって物語られることはないどこにでもありそうな、何も起きることのなさそうな日常が、この作品において「劇画」として描かれていることを示す。","subitem_description_type":"Abstract"}]},"item_10002_publisher_159":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"九州国際大学現代ビジネス学会"}]},"item_10002_source_id_160":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2433-9253","subitem_source_identifier_type":"ISSN"}]},"item_10002_source_id_162":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12815608","subitem_source_identifier_type":"NCID"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松井, 貴英"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"MATSUI, Takahide","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-04-21"}],"displaytype":"detail","filename":"kokusaikeizai11-003matsui.pdf","filesize":[{"value":"9.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"藤子・F・不二雄による“劇画” ――「劇画・オバQ」の解釈の試み","url":"https://kiu.repo.nii.ac.jp/record/875/files/kokusaikeizai11-003matsui.pdf"},"version_id":"d94e5da4-e1dd-4398-b43c-20abc387ea37"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"藤子・Ｆ・不二雄","subitem_subject_scheme":"Other"},{"subitem_subject":"劇画オバＱ","subitem_subject_scheme":"Other"},{"subitem_subject":"劇画","subitem_subject_scheme":"Other"},{"subitem_subject":"オバＱ","subitem_subject_scheme":"Other"},{"subitem_subject":"漫画","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"藤子・F・不二雄による“劇画” ――「劇画・オバQ」の解釈の試み","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"藤子・F・不二雄による“劇画” ――「劇画・オバQ」の解釈の試み"},{"subitem_title":"Fujiko・F・Fujio’s Expression of “GEKIGA”- an Interpretation of Gekiga Oba-Q","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["252"],"pubdate":{"attribute_name":"公開日","attribute_value":"2023-04-21"},"publish_date":"2023-04-21","publish_status":"0","recid":"875","relation_version_is_last":true,"title":["藤子・F・不二雄による“劇画” ――「劇画・オバQ」の解釈の試み"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-12-08T10:17:49.494506+00:00"}